Who is Lobo?

Introduction

Lobo is a singer-songwriter born in Tallahassee, Florida. Starting his career playing with numerous bands like the Rumors (which included future country stars Gram parsons and Jim Stafford), the Sugar Beats, Lavoie released his first solo record in 1969. By 1971 Lavoie became Lobo and scored his first big hit “Me and You and a Dog Named Boo”, under Big Tree Records. He went on the score more hits like “I’d Love You To Want Me” (his biggest charting single) and “Don’t Expect Me To Be Your Friend” and other handful of Top 40 hits. Although he would record for Curb Records and after that, his own label Lobo Records (later would become Evergreen), his chart-making magic gradually dissipated. However, Lobo’s growing popularity in Asia fueled his 1989 comeback. He released his first album in a decade, Am I Going Crazy, released in Taiwan. Lobo was also involved and recorded for other Asian labels PonyCanyon Records and Springroll Entertainment, releasing re-recordings of his old hits as well as covers and other pop standards. As his popularity in Asia solidified, Lobo toured around Southeast Asia in 2006.

Early life and music career

Roland Kent LaVoie, aka Lobo, was born in Tallahassee, Florida on July 31, 1943, and was raised in a nearby town, Winter Haven. When he was about seventeen years old, LaVoie joined a local band called The Rumours. The band also included future stars Gram Parsons and Jim Stafford; the Rumours’ drummer Jon Corneal would also be a member of Parson’s own future outfit International Submarine Band.

From there LaVoie entered the University of South Florida. While in college, he became part of the band called the Sugar Beats. They were attaining success but only on the regional circles, helped by their cover of a Johnny Rivers original “What Am I Doing Here.” LaVoie also joined in many other groups including Me and the Other Guys, US Male and The Uglies, all of which also attained only regional success and recognition.

Solo career as Lobo

Sugar Beats member Phil Gernhard was also a record producer. LaVoie was signed to Laurie Records in 1969. On that label he issued his first solo record which contained the songs “Happy Days in New York City” b/w “My Friend Is Here.”

Gernhard, who was an executive at Big Tree Records, signed LaVoie to his label in 1971. By that period, he began to call himself Lobo, which is a Spanish word for “wolf.” The label released Lobo’s first single “Me and You and a Dog Named Boo” that year. It went all the way #5 on the Billboard Hot 100, and topped the adult contemporary singles chart. It also went to #4 on the UK singles chart. “Me and You and a Dog Named Boo” was obviously a success, and it also became the label’s first big hit record. That same year Lobo also released his debut album,Introducing Lobo where the hit single was also included.

The album’s other single “She Didn’t Do Magic”/”I’m The Only One” only reached #46 on the Hot 100 (#14 on the adult contemporary singles chart).

Lobo released his second LP Of A Simple Man in 1972. The album featured another Top 10 pop hit single “I’d Love You To Want Me” which almost topped the Hot 100 at #2. It gave Lobo his second #1 adult contemporary hit, while it peaked at #5 on the UK singles chart.

Another single off Of A Simple Man, “Don’t Expect Me to Be Your Friend,” became Lobo’s third Top Ten pop hit, peaking at #8. It was also his third #1 adult contemporary hit.

Lobo issued his third album Calumet in 1973. It yielded three Top 40 pop singles “it Sure Took a Long, Long Time” (#27 pop, #3 adult contemporary), “How Can I Tell Her” (#22 pop, #4 adult contemporary), and “Standing at the End of the Line” (#37 pop, #25 adult contemporary). By the way, Lobo wrote all the aforementioned hits.

Lobo released his fourth LP Just A Singer in 1974. As the title might suggest, it was Lobo’s first album not made of up self-penned material. One of its singles, “Rings,” was written by Alex Harvey and Eddie Reeves; it went to only #43 on the pop chart but it became another Top 10 adult contemporary hit, making his mark yet again in the soft rock territory.

Lobo’s fifth album A Cowboy Afraid of Horses (1975) was to be his last LP with Big Tree. It featured another Top 40 hit “Don’t Tell Me Goodnight” which went to #27 pop and #2 adult contemporary.

A 1979 non-album single “Where Were You When I Was Falling in Love?” gave Lobo his fourth and final adult contemporary #1 hit. It was also his last Top 40 single, at #23. That same year he released his self-titled final album.

The singer’s decline, retirement and return; popularity in Asia

As the decade wore on, Lobo’s commercial impact was lessening. He released subsequent records for Curb Records, Philips and MCA before establishing his own imprint Lobo Records in 1981. Four years later it was re-named Evergreen Records.

In the mid-1980s Lobo retired from the limelight, but late in the decade his songs rose to popularity in Asia. This prompted him to record again and release his new album in a decade, Am I Going Crazy, which was released in Taiwan. His popularity in the Asia was (and is still) going strong, and he has signed two recording contracts in Taiwan as well as in Singapore (Springroll Entertainment and PonyCanyon Records), releasing albums for the Far East market only. In addition to his old hits and new songs, Lobo has also covered pop standards. In 2006 he also embarked on a Southeast Asian tour. In 2008 he released his latest studio album so far, Out of Time, on Lobo Records. The album contained classic Lobo tunes as well as new tracks.

The Meaning Behind the Songs of Lobo

1. Me and You and a Dog Named Boo 

Initially released in 1971, “Me and You and a Dog Named Boo” was Lobo’s first commercial release. It was written by Lobo and was part of the album Introducing Lobo. The track reached #5 on the Hot 100 and spent two weeks at the top of the Easy Listening chart in May 1971, the first of four #1s for Lobo. The song lasted four weeks at number one in New Zealand and peaked at number four on the UK Singles Chart in July 1971

Lobo recalls that while writing Me and You and a Dog Named Boo, he also worked on several songs, including a tune about traveling around the country with a girl. While he was trying to rhyme ‘you and me’ and attempting to be grammatically correct. Unfortunately, he could not locate a rhyme scheme that worked for the lyrics he had in mind, so he stuck with the phrase “me and you.” As he contemplated his song while sitting in their living room with glass doors, he saw his German Shepherd dog Boo and decided to include him in the music. Among Lobo’s more than 15 single releases, “Me and You and a Dog Named Boo” achieved the second highest level of success, behind only “I’d Love You to Want Me” the following year.

2. I’d Love You to Want Me

Album Cover of id love you to want me image

By Big Tree Records – 45cat.com, Fair use, https://en.wikipedia.org/w/index.php?curid=50148926

The song “I’d Love You to Want Me” is one of Lobo’s most outstanding charting singles; it was destined for the top spot but was prevented by Johnny Nash’s “I Can See Clearly Now.”  Although the record didn’t do well at its initial release, after being reissued in 1974, it reached #5 on the UK singles chart. Years before Lobo penned the heartbreak ballad, he got the idea for it in an art class. Lobo has always aspired to write a ballad. He was 22 when he wrote the song, with his super-hot senior high school as his inspiration. Liza Minnelli also recorded this song for her album The Singer, released in 1973. The Singer debuted at #38 on the US Billboard 200, her highest chart position to date, and at #45 in the UK. It was also used in the CSI: Crime Scene Investigation 2012 episode “Tressed To Kill.”

3. Don’t Expect Me to Be Your Friend

The protagonist of this song is hopelessly in love with an unattainable woman who is blissfully unaware of his predicament. People speculate that Lobo’s love interest perhaps treated him only as a friend. Featured on his album Of a Simple Man, “Don’t Expect Me to Be Your Friend,” was written and performed by American singer Lobo. It reached number one on the Easy Listening chart and eight on the Hot 100. In 1991, Jamaican reggae artist Wayne Wade released a rendition of this song titled “I Love You Too Much.” The track reached its highest position on the US Billboard chart at No. 8 in February 1973 after its release in 1972. The protagonist of this song is a spurned lover struggling to accept his situation. It became one of Lobo’s most popular songs.

4. Where were You When I Was Falling In Love

Where_Were_You_When_I_Was_Falling_In_Love_-_Lobo image

By MCA Records – Discogs, Fair use, https://en.wikipedia.org/w/index.php?curid=57958566

The evolving musical tastes of the time necessitated a change in direction for Lobo, and this song reflected that. This story follows a man who meets the woman of his dreams but cannot pursue a relationship because he is already married. Although “Where Were You When I Was Falling in Love” was Lobo’s last big hit in the US Pop charts, he continued to succeed in country music and was well-liked internationally. This was written by Steve Jobe (“If Love Had a Face”), Sam Lorber (“Dare Me”), and Jeff Silbar (“The Wind Beneath My Wings”).

In addition to “Heart to Heart (Person to Person)” by Lobo, Silbar, and Lorber collaborated on the composition of the country singles “Sleep Tight Good Night Man” by Bobby Bare and “She’s Been Keeping Me Up Nights” by Bobby Lewis. The song reached No. 23 on the Billboard Hot 100, marking Lobo’s penultimate Top 40 hit, and spent two weeks atop the Adult Contemporary chart in September/October 1979, becoming his fourth and final No. 1.

5. How Can I Tell Her

American singer-songwriter Lobo’s “How Can I Tell Her” was featured on his third studio album Calumet. The song peaked at #22 on the Billboard Hot 100 and #4 on the Adult Contemporary chart in the United States. A fantastic love song with a shocking backstory. This Lobo song perfectly captures the sentiment. Everything about the music, from the melody to the harmony to the arrangement, is exquisite. This makes the song’s tale, which lies behind its serene melody, even more, startling and thought-provoking. The song is, at its core, a tale about infidelity. The man says his first lover basically knows everything there is to know about him. The only problem is that he is at a loss as to how to tell her he is in love with someone else.