Joe Hinton – “Funny How Time Slips Away”

Joe Hinton (1929–1968) was an American soul and R&B singer whose smooth vocals and emotional delivery made a lasting impression in a career that ended far too early. Born in Clarksdale, Mississippi, Hinton began as a gospel singer before making the transition to secular music under the guidance of record executive Don Robey. He is best remembered for his 1964 hit “Funny (How Time Slips Away),” a soulful rendition of Willie Nelson’s classic that topped the R&B charts and brought him national attention.

While Hinton never achieved lasting superstardom, his talent was undeniable, and his recordings remain beloved by fans of classic soul and deep R&B. His promising trajectory was cut short when he passed away from skin cancer at just 38 years old, but his music lives on as a testament to his expressive voice and heartfelt performances.

Early Life and Musical Roots

Joseph Lee “Joe” Hinton was born on November 15, 1929, in Clarksdale, Mississippi—a town steeped in blues history. While some sources suggest he was born in Evansville, Indiana, that is more accurately where Hinton eventually settled down, married LaVerne Flowers, and started a family.

Like many African-American artists of his generation, Hinton’s earliest musical experiences came from the church. He joined several gospel groups throughout the 1950s, including the Blair Gospel Singers, The Chosen Gospel Quartet, and the Spirit of Memphis Quartet. These groups were among the most respected in the gospel scene, and Hinton’s time with them helped shape his voice into a powerful, emotive instrument.

A Turn Toward Secular Music

Joe Hinton’s move from gospel to secular R&B wasn’t entirely his own decision. Don Robey, the shrewd and sometimes controversial owner of Peacock Records, saw the potential for greater commercial success in secular music. Robey had already shifted several gospel singers into the R&B market and urged Hinton to do the same. Though reluctant at first, Hinton eventually agreed.

This transition marked the beginning of a new phase in Hinton’s career. He swapped his spiritual hymns for bluesy ballads and mid-tempo R&B tracks that showcased his smooth, passionate vocal style. Robey signed Hinton to Back Beat Records, a Peacock subsidiary label created for secular releases.

Early Secular Recordings

Hinton’s early secular singles didn’t make a huge splash at first, but they began to build momentum. In 1963, he released “You Know It Ain’t Right,” written by Robey under the pseudonym Deadric Malone, a name he used frequently for songwriting credits. The song marked Hinton’s debut on the Billboard Hot 100, peaking at #88 on the pop chart and #20 on the R&B chart.

This was followed by another modest hit, “Better to Give Than to Receive,” which peaked at #89 on the Hot 100. Though these early singles didn’t propel him to stardom, they positioned Hinton as a rising talent within the R&B world.

Breakthrough with “Funny (How Time Slips Away)”

Hinton’s breakthrough came in 1964 with his version of “Funny (How Time Slips Away),” a song originally written and recorded by Willie Nelson. The song had previously been recorded by country artist Billy Walker and pop singer Jimmy Elledge, but Hinton’s rendition—with its soaring, heartfelt delivery—brought a whole new emotional depth to the track.

Released as simply “Funny,” the single became a massive hit, reaching #13 on the Billboard Hot 100 and climbing all the way to #1 on the R&B charts. It also topped Cash Box’s pop chart and sold over a million copies, earning Hinton a gold disc.

This success allowed Hinton to leave the Little Junior Parker tour and launch a national solo tour. He had become a rising star in the world of soul, with a voice that could stand alongside some of the best of his generation.

Later Career and Final Years

Following the success of “Funny,” Hinton released “A Thousand Cups of Happiness” and “I Want a Little Girl,” both in 1964. While neither song cracked the Hot 100, they found moderate success on the R&B charts and were praised for their strong vocal performances. Despite not matching the chart heights of his breakout single, Hinton remained active and continued recording with Back Beat.

His discography during this period was marked by consistent vocal excellence, though commercial success proved elusive. Hinton was often compared to fellow soul singers Sam Cooke and Bobby “Blue” Bland, and while his catalog may be smaller, his best recordings are just as powerful and enduring.

A Life Cut Tragically Short

Just as Hinton seemed poised for further success, tragedy struck. In 1968, at the young age of 38, Joe Hinton died of skin cancer. His passing cut short a career that was only beginning to blossom, robbing the world of a singer whose talent still resonates decades later.

His premature death has made him something of a cult figure in soul and R&B history—an artist who left behind a handful of brilliant recordings and the sense of what might have been.

Legacy

Joe Hinton may not be a household name, but to soul and oldies fans, he remains a respected figure. His version of “Funny (How Time Slips Away)” is considered by many to be the definitive version, praised for its emotional honesty and beautiful phrasing. That song continues to receive airplay and appears on numerous soul and R&B compilations, keeping his legacy alive.

Artists like Hinton, who straddled the line between gospel purity and secular soul, helped shape the sound of American music in the 1960s. His recordings showcase not only a tremendous vocal gift but also the musical tensions and transitions of the era—from sacred to secular, from quartet gospel to soul ballads.

Discography Highlights

Here are a few of Joe Hinton’s most notable recordings:

  • “You Know It Ain’t Right” (1963) – #88 Pop, #20 R&B

  • “Better to Give Than to Receive” (1963) – #89 Pop

  • “Funny (How Time Slips Away)” (1964) – #13 Pop, #1 R&B, Gold Record

  • “A Thousand Cups of Happiness” (1964) – Bubbling under Hot 100

  • “I Want a Little Girl” (1964) – Bubbling under Hot 100

Conclusion

Joe Hinton’s career was brief, but the beauty and strength of his voice left an indelible mark. From his gospel beginnings to his soulful R&B recordings, he brought heart and sincerity to every note. Though he only had one major hit, it was a song that etched his name into music history.

He may have slipped away too soon, but thanks to recordings like “Funny,” Joe Hinton’s voice and spirit continue to resonate with new generations of listeners. His story is a reminder of the many talented voices from the golden age of soul who deserve to be remembered—not just for what they accomplished, but for the potential that was never fully realized.